“Eh…excuse me, could you please pass the salt and the little bowl of lemon dragees as well? Thank you”, said some random two-dimensional character at a generic dinner party one hopelessly mundane evening that crawled ever so slowly into the dark abyss of some night. ‘Dragees’ is a strange word you never really hear of, or used in any conventional conversation. If someone actually said ‘dragees’ then it would only be worthy of strange confused looks coming back at the poor unfortunate naive sod who was dumb enough to ever bare that word at all in such naked public scrutiny. To me it sounds more like a one-word description of trainee cross-dressers. It’s actually of French origin and usually describes a small sugar-coated sweet of some sort, even a medicinal pill coated with sugar to disguise the taste.
Hello. OOTB 534 is upon us with an amazing featured act booked in this Saturday. Allan Dixon played at the very first incarnation of OOTB many years ago and then moved to Los Angeles to make music for films. When he returned to OOTB a few months ago, he brought the BBC to film him. He amazed us all when he played OOTB a few months back, and he has since. Now here is another chance to find out why!
Here’s a link to some of Al’s music: soundcloud.com/aldixonmusic
Open slots are up for grabs as usual. Turn up 7:15pm-7:30pm to book fifteen-minutes of stage time and we’ll start the talent ball rolling at 8pm. Original material only and free entry.
Be there or be a lozenge waiting to be sucked at a confectionery fair…
OOTB 😀

Anyway, let’s get onto this Saturday’s featured act. The Keystone Project was created by musician and producer Ross Taylor and singer/songwriter Jane Gilbert. In the hazy wild days of their youth, Jane and Ross first wrote together in the mission hall studios down in Leithshire. After a long stint away from home, Jane has returned to Edinburgh to join forces once again with the talented Mr Taylor. Working on a new EP ‘Limited Stop’, The Keystone Project have refined their unique sound. With Jane’s ethereal vocals and Ross’s extreme multi-instrumentalist skills, they have created a musical monster.
Hello. We’re back! Just so there’s no misunderstanding, Post Festival Open Slots is not a weird celebration of wooden poles in which OOTB have pre-excavated deep holes in the ground for embedding such items for your convenience in readiness for a linage of telegraph-poles or some big tent sort of thing (ting-a-ling). My god perish the thought of us doing something so obscure, industrial and mundane. Post Festival Open Slots is here to sooth our after-festival tourist-ridden headaches with an evening of original music and unique performances.
This Saturday, as a one-off, is happening a little bit differently. Normally OOTB starts at 8pm, but this week we start an hour earlier at 7pm with our headline act Nathan Fynn kicking everything off. Australian-born Nathan, now residing in Edinburgh, has been performing live particularly around Australia’s Gold Coast for the last twenty years. His style is acoustic folk/blues and has a clear distinctive voice that can grab the attention of any audience. With such talent running through the Fynn family, daughter Annie will be performing some songs too. You would be rather daft to miss this.
Hello people and stuff. Our featured act booked for this week is rather famous out there in music-land as he has been playing live since 1990. As an experienced songwriter and performer the wisely music of Norman Lamont is popular, catchy and wry. Like Nick Cave and Leonard Cohen he draws on folk and American melodies touching on universal themes via particularly quirky characters. One of the first singers to grace the stage at OOTB, Norman is backed this Saturday by multi-instrumentalist James Whyte and Mary Robbs indulging in gratuitous violins as his ‘Invisible Helpers’.
Hello. This Saturday’s headline act at OOTB is a well known and popular performer out there on the live circuit who is well embroiled in the capital city’s music scenery. Calum Carlyle is an independent singer-songwriter from Orkney, now based in Edinburgh. He writes an enchanting blend of acoustic pop where his catchy melodies and thoughtful lyrics can take his audiences on a journey of human emotion, observation and morality.
“Blimey!”, exclaimed the landlady when she heard her tenant sing. Apparently that’s how this Saturday’s featured act got his name. A talent from the Edinburgh music scene, Jack Blimey has been a regular (and now a committee member) of OOTB for some time now. His music is a unique energetic mix of eclectic beat poetry and 1960s spy theme music underlined with a touch of dark humour. He has an acoustic guitar phobia, so it’s normal to see Jack adorning one of his electric guitars which adds to his unique style and sound.
Oh hello,oh yeah, and OOTB have booked an oh so brilliant featured act this Saturday. We’ve been enjoying the music of Paul Gladwell for several years now as a regular performer around Edinburgh and beyond. His songs are finely crafted and delivered with equally high levels of professionalism and honesty. His influences include the likes of Rufus Wainwright, Richard Thomson and Nick Harper; and echoes of these can be heard in his own songwriting, though clearly more as homage than as imitation. From the dark and brooding to the pleasantly pop, Paul’s songs have something for everyone.