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Can you write 14 songs in 28 days?

Posted 14/01/2010 By admin
FAWM.org - 14 Songs In 28 Days!

FAWM.org - 14 Songs In 28 Days!

Can you write 14 songs in 28 days?

Even if you think you can’t, you might surprise yourself, and even if you don’t, you might still end up writing some good songs. If you don’t know what I’m talking about, I’m talking about February Album Writing Month, the annual challenge to write 14 songs during the 28 days of February. Here’s the official press release:


THE FAWM.ORG CHALLENGE: 14 SONGS IN 28 DAYS

International Songwriting Event Gears up for 7th Annual Event

Russian composer Igor Stravinsky once said, “work brings inspiration.” Or, as writer Jack London put it, “You can’t wait for inspiration. You have to go after it with a club.” For songwriters, February Album Writing Month (FAWM) is that club. Thousands of musicians worldwide are preparing to brandish their guitars, pianos and notepads to participate in FAWM, the annual challenge to compose 14 new songs in the 28 days of February. This year, the organizers are upping the ante, setting a collective goal of songwriting of 14,000 new works in all.

In 2009, over 2,000 musicians signed up for the FAWM challenge, penning 7,375 new songs, instrumentals, and works of sound art in the shortest month of the year. Since its inception in 2004, FAWM participation and musical output has roughly doubled annually, so the 14,000-song mark seems well within reach.  By January 12 of this year, nearly 3,000 have registered from all U.S. States and dozens of foreign countries including Norway, Australia, South Korea, France, and the United Kingdom.  FAWM is the largest songwriting challenge of its kind.

Some so-called “fawmers” are musical hobbyists, while many are professional touring musicians and recording industry professionals who use FAWM as a much-needed creative exercise.  The idea began when Burr Settles, a singer/songwriter and then-graduate-student in computer science, completed a short novel as part of the National Novel Writing Month (NaNoWriMo) challenge in November 2003.  Realizing that there was no songwriting equivalent, he and three friends challenged each other to write a song every other day in February 2004, using an informal weblog where they posted demo recordings and constructive comments throughout the process. Due to the public interest that followed, Settles opened the challenge up to over 100 participants in 2005, which continued to grow steadily ever year since.

The website, FAWM.ORG, serves as the hub for the project, where fawmers can post audio or video demo recordings of freshly-penned songs, and give one another feedback.  Participants can track the progress of songwriters they know and admire via the website’s “watchlist” feature.  A real-time jukebox, allows fawmers to listen to new streaming music as it is added to the site, organized at random or by musical genre.

Collaboration is also rampant in the FAWM community. Many songwriting novices receive help by joining forces with more seasoned songwriters whom they meet through the website. Other collaborations spring from a desire to try something different. For example, Seattle jazz pianist Becca Palm casually expressed interest in writing a heavy metal song on the website forums. Within 24 hours she had composed and recorded a track (entirely by passing files over the internet) with a speed-metal guitarist from the Netherlands called Sapient Network. The track, titled “All I Am,” can be heard on 14 Songs In 28 Days (Vol. 5), the latest in a series of annual “fawmpilation” CDs released by the project to raise operating funds.  Last year, over 500 of the songs born out of the challenge were collaborations.

For more information:

http://fawm.org
http://myspace.com/fawmrocks

FOR IMMEDIATE RELEASE

Contact:
Email: press@fawm.org

THE FAWM.ORG CHALLENGE: 14 SONGS IN 28 DAYS

International Songwriting Event Gears up for 7th Annual Event

Russian composer Igor Stravinsky once said, “work brings inspiration.” Or, as writer Jack London put it, “You can’t wait for inspiration. You have to go after it with a club.” For songwriters, February Album Writing Month (FAWM) is that club. Thousands of musicians worldwide are preparing to brandish their guitars, pianos and notepads to participate in FAWM, the annual challenge to compose 14 new songs in the 28 days of February. This year, the organizers are upping the ante, setting a collective goal of songwriting of 14,000 new works in all.

In 2009, over 2,000 musicians signed up for the FAWM challenge, penning 7,375 new songs, instrumentals, and works of sound art in the shortest month of the year. Since its inception in 2004, FAWM participation and musical output has roughly doubled annually, so the 14,000-song mark seems well within reach.  By January 12 of this year, nearly 3,000 have registered from all U.S. States and dozens of foreign countries including Norway, Australia, South Korea, France, and the United Kingdom.  FAWM is the largest songwriting challenge of its kind.

Some so-called “fawmers” are musical hobbyists, while many are professional touring musicians and recording industry professionals who use FAWM as a much-needed creative exercise.  The idea began when Burr Settles, a singer/songwriter and then-graduate-student in computer science, completed a short novel as part of the National Novel Writing Month (NaNoWriMo) challenge in November 2003.  Realizing that there was no songwriting equivalent, he and three friends challenged each other to write a song every other day in February 2004, using an informal weblog where they posted demo recordings and constructive comments throughout the process. Due to the public interest that followed, Settles opened the challenge up to over 100 participants in 2005, which continued to grow steadily ever year since.

The website, FAWM.ORG, serves as the hub for the project, where fawmers can post audio or video demo recordings of freshly-penned songs, and give one another feedback.  Participants can track the progress of songwriters they know and admire via the website’s “watchlist” feature.  A real-time jukebox, allows fawmers to listen to new streaming music as it is added to the site, organized at random or by musical genre.

Collaboration is also rampant in the FAWM community. Many songwriting novices receive help by joining forces with more seasoned songwriters whom they meet through the website. Other collaborations spring from a desire to try something different. For example, Seattle jazz pianist Becca Palm casually expressed interest in writing a heavy metal song on the website forums. Within 24 hours she had composed and recorded a track (entirely by passing files over the internet) with a speed-metal guitarist from the Netherlands called Sapient Network. The track, titled “All I Am,” can be heard on 14 Songs In 28 Days (Vol. 5), the latest and a series of annual “fawmpilation” CDs released by the project to raise operating funds.  Last year, over 500 of the songs born out of the challenge were collaborations.

For more information:
http://fawm.org
http://myspace.com/fawmrocks

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New Music from OOTB regulars!

Posted 12/01/2010 By admin

In other OOTB related news, Iain Roberts, formerly an OOTB regular, has eight tracks that you can listen to and buy here. As his page says, he recorded these while recuperating from a hand injury which was sustained while bobsleighing! On that subject, you can support Iain by joining this Facebook group and of course by buying his MP3s to show your support and help him get to the Winter Olympics.

Also, you can now buy Calum Carlyle’s new CD, Honesty And Thorns from various online retailers, including iTunes and Amazon. You can also hear 30 second samples of each song. Prices vary depending on where you buy it and whether you buy a CD or MP3 downloads.

OOTB 372 – 10 Dec 2009

Posted 10/12/2009 By reviewer

Dan Collins, Mo-Medicine, Coral, James Whyte, Cat Called Paris, Michael Patrick, Luis.

No review for this evening.

Ben Young, one of Edinburgh’s best singer-songwriters till he moved out of Edinburgh, has a 24-day songwriting project coming up: 24 songs on a solstice theme, to be written and published on youtube and also at The Atheist Advent : Solstice Songs on a Godless Guitar. I will certainly be keeping an eye on that. If you’re not familiar with Ben’s music, i suggest you check him out, and if you are familiar with his music, you’ll need no prompting.

While we’re at it, let me just mention OOTB number 373 which will be taking place on Thursday 17th December in the Tron Cellar Bar. It’s our long anticipated XMAS XTRAVAGANZA we will be letting our hair down and partying it up. Covers are allowed, even if they’re christmas ones, and we can’t stop you from coming along in fancy dress! Make a note in your diary and dust off your glad rags, it’ll be a stoater.

If you are a musician and you want to help Josh by playing with his superband when they come to Edinburgh, which will be filmed for the new T mobile advert, READ ON!

This is the only scottish tour date.

You have to bring and play an instrument, whether that is a triangle, your voice or a trombone, come along and meet at the Ross Band Stand (in Princes Street Gardens) in Edinburgh on Wednesday the 25th of November 2009 between 11am and 3pm

There will be a short warm up jam, then everyone will join in the tour song, which we have a track, sheet music, tabs, lyrics for and it’s all availible online for you to look at (see below).

Don’t worry if you are not a master at your instrument, bring it anyway, play when you can and have fun! This will be filmed along with the other british dates for the new T mobile advert which will be on the tv around Christmas time.

We are really interested in brassbands, choirs, orchestras as well as indivudual musicians. PLEASE INVITE AND TELL EVERYONE YOU KNOW SO WE CAN GET AS MANY PEOPLE AS WE CAN TO COME ALONG. if you have any questions, just ask and hopefully we will see you all on the 25th.

Thanks.

follow these links to get all the music etc…

Everything you need to know:

Josh’s MySpace

Josh on Twitter

The lyrics and chords

Sheet music

PLEASE NOTE – OOTB is not affiliated with Josh or T-Mobile, however we do like to make you aware of opportunities for local musicians.

Our Stage, Your Music!

Posted 15/10/2009 By admin
Our Stage, Your Music: OOTB on Thursdays

Our Stage, Your Music: OOTB on Thursdays

OOTB goes to Thursdays!!!

Posted 05/10/2009 By admin

Yes, we’re back to Thursdays, starting on October the 15th 2009, still in the basement bar of The Tron in Edinburgh. come along for 7pm to play or 8pm to listen.

This week (6th October) will be our final Tuesday OOTB, and it’s Thursdays all the way from next week onwards. Don’t miss it!

New OOTB Committee Members

Posted 23/09/2009 By admin

Following the recent Out Of The Bedroom Annual General Meeting, here are the newly elected committee members:

Chairman – Daniel Davis

Secretary – Jonny Pugh

Treasurer – Nyk Stoddart

Events – Nicky Carder

Press & Publicity – Cameron Robinson

Technical – Malcolm Mclean

Web – Calum Carlyle

In other news, a special note of thanks goes to James Whyte for stepping in to chair the OOTB AGM this year. On that subject, here’s a song of tribute, recently written by an accomplished OOTB veteran, Tommy Mackay.

OOTB 358 – 1 Sep 2009

Posted 01/09/2009 By reviewer

After the hoopla of the Festival Fringe this was a somewhat shambolic but fun OOTB evening. The decision was made not to set up the PA due to lack of numbers at start up, so the acts would have to be good at projecting their voices across the space.

Compere Freeloadin’ Frank ensured the show went on and played three brand new songs which, unfortunately, I missed as I was too late. I also missed Zee Zee, who apparently played a Greek instrument, and Stephen Harrison, who I found on MySpace was part of the Edinburgh art college scene which spawned the legendary Josef K in the 1980s.

Nyk Stoddart played some new material alongside ‘Kitten In A Bong’ and ‘Another Song’. James Igoe was asked to perform and he obliged playing ‘Humanist Wedding’, ‘Cowboy Song 2’ and ‘Braveheart Beggar’. By this point the audience has almost doubled in size, and Yogi played some new material from his new CD, including ‘Slow Down’. Broken Tooth played a mixture of familiar and less familiar material, with ‘Hearts and Spades’ being the standout.

After the break, and a sudden influx of young and curious audience members, Nyk Stoddart played ‘Tombstoning’ and ‘… Zombies …’. The audience members left as we’d run out of fresh performers so a short pass-the-guitar session ensued which was fun but not particularly interesting for the casual punter. After fifteen minutes or so, the bartender called it a night and that was that.

James Igoe

OOTB 354 – 4 August 2009

Posted 04/08/2009 By admin

OOTB 4th August

A hugely enjoyable night at the the Tron as we experience life upstairs for the first time!

Nicky Carder – Our compere debut kicked us off tonight, however yours truly had had a nightmare tuning the guitar…sorry Nicky. The song however certainly has potential and I look forward to hearing it again!

Matt Norris – The first of many ensembles tonight, and Matt’s is a cracker, treating us to a folky bluegrass romp of a set. The first begins with furious strumming, tagged back by the serene bass line, whilst Dave Law’s trumpet adds a truly rustic sound to the piece. Throw in the tight three part harmonies, and it’s evident that we are watching three highly proficient musicians. Their second has a slightly more intimate sound, which sounds (dare I say it, given their lamentable rarity at OOTB) like a happy song. It has a gorgeous outro, with a simple reiterated line on the trumpet carried along by the guitar and bass, as Matt pleads “Can’t you see I try?”. Their last veers into Fionn Regan-esque territority (if you haven’t heard of him, amend that state of affairs post-haste); the key to the performance from the trio is that they play upbeat songs without rushing, something which is easier said than done. An original and brilliant sound: look out for a featured act slot from these guys soon.

Jen – I’m not certain that I have the correct name here as I was trying to fight my way through the crowd from behind the jukebox as she was introduced (apologies if I’m incorrect). ‘Jen’ has a haunting, lilting voice which is well suited to her gentle songwriting style. The sparse backing of her first truly allows her delivery to shine. Her second has a beautiful melody, effortlessly carried by Jen’s almost nonchalant vocal. The last song also shows Jen has some skill on the guitar with some intelligent syncopated picking. I think that Jen would have benefited from the quieter surroundings of our usual environs, however I was glad to have paid attention to a most enjoyable set.

Hannah O’Reilly  – The key to any performance tonight was to wrestle the attention from the audience and Hannah gives a masterclass in how to do this, opening with a powerful a capella song of frustration. This is followed by “Kill the Man” , a bluesy groove which allows Hannah to showcase her trademark growling vocal. Foot-tapping sassy stuff.

Amy – Amy begins with “Aeroplane”; the hammer-on chords lend a spritzy rhythm to the song which builds into a really catchy chorus. A really controlled performance, with some nice strain in the voice, juxtaposed with some smoothly delivered lines (“we’ll fly off to the moon”). “Break up in Paris” is a song of yearning, a paeon for love lost. The performance is honest, as Amy forlornly sings “if they loved you like I love you”, certainly tugged at the heartstrings! Her last drops into a minor bluesy sound, with applied dominant chord structures and harmonics. It’s a real roof-raiser, and she clearly enjoys the performance as much as we do! Good stuff.

Jump Press A – When Dave had recovered from a small heart attack when asked to sort the sound for these guys, we enjoyed a unique set. Jump Press A could perhaps be described as acoustic nu-metal with a glockenspiel…what’s not to like?! The chromatic shifts of  “You Are” and melodic minor passages lend the song an almost middle eastern air, as the song loses itself in layers of sound. The only thing that could be said is that it would have been great to really hear the vocal really let loose of its restraints and belted out. Understandable though given the hushed vocals we are used to at OOTB. Their second is a really dark number, with some cruel sounding cello lines; “I like you like I need a shot in the head”. A song of dread and hopelessness. “Masquerade” again reintroduces swirling lines of music to a hard rock sound. The glockenspiel, instead of sounding incongruous, gives an interesting counterbalance to the harsh tones of the other instruments. Really enjoyable, and original set.

mayhew (Featured Act) – Tonight was the first time I heard mayhew in their full incarnation and I was not disappointed! “Come Through” is a sublime start; I was particularly struck by the lyrics on this one, the lyrics flow together beautifully. Cathy delivers them expertly, her voice at once sultry then anguished. “Broken Alarms” erupts in the chorus into an aching and evocative melody which washes over the intricate guitar work on the nylon string. “Spin” is my personal favourite of the set and is perhaps the band’s most commercial. The song is constructed by layers of separate musical ideas, which form a delightful whole. The bridge is particularly affecting, seeing Cathy sing “there’s something on my mind” as the music builds around her lamenting vocal. Stunning songwriting. “When Starlings Scatter” is an acoustic epic, you can almost imagine the chorus being accompanied by a full orchestra. Again, some intelligent lyrics on show (“will you teach me how to wait?”), packed full of natural imagery, which is well in tune with the epic sound on this one. “Shallow Water” is a slightly more downbeat song, with a busy jumping vocal in the chorus. It struck me as a mood song, the cello creating a real ambience. Their penultimate was another highlight of the set for me; the guitars are insistent, whilst retaining the intricity of their interplay. The song is one of quiet desperation, the lyrics urgently begging “just say something”. They finish with “Massachusetts” which as well as being one of the most difficult to spell songs that this reviewer has come across, is a song which for me sums up what mayhew do best. This band craft songs of such musical complexity that one can become lost in their sound, yet remain accessible enough to stay long in the memory. Tonight has been a testament to their growing and deserved reputation.

Yogi – Next we are treated to a set from this erstwhile Edinburgh performer. “No Man’s Land” is a palm muted rock song of angst. As ever, the performance from Yogi is wholly committed as he cries “I am stuck in no man’s land”. “Not Far Away” has a slightly more laid back feel, with a pleasant outro; I can imagine this sounding great with a few more layers, which you can probably find on Yogi’s newly released CD. Yogi finishes with “Blood from a Stone”, which sees Yogi sing over quick changing and furiously strummed chords. It’s an angry, and engaging set as ever from Yogi.

Rab – I’m not entirely sure what happened in this 15 minutes of my life but it was the funkiest quarter of an hour in my life. Blues riffs, scat singing, and truly mind blowing guitar playing…I can’t do it justice, you had to be there. Rab, you are a hero, please return one day.

Cameron – Cameron begins with a horrendous foot joke; fortunately for everybody involved the songs are infinitely better. Cameron’s songs are packed full of acute observations and delicate lines; “It’s time to slowly slip away” he almost sighs on his first. His second uses sliding suspended chords to create a flowing feel, which breaks into a pained falsetto in the chorus. Some good lyrical ideas on show; I liked the line “I stayed up and waited for the sky to change”. His last is an upbeat catchy number, which gets the audience’s feet tapping, and is destined to be a real sing along. As I get to know his songs, I’m enjoying Cameron’s sets more and more each time… I look forward to his next one!
review: Jonny Pugh, Sound: Dave O’Hara, Compere: Nicky Carder

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